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Blog | Sean Longcroft

The Blog

Art For Hearts Sake

A very nice and worthwhile project to be invited to join. A number of artists contributed artwork to livelifegivelife to help promote staying at home and support those self-isolating during the COVID pandemic lockdown, and to raise awareness of the continued need for organ donation.

Come What Maze

A series of ‘Maze’ illustrations for © Usborne Books. I’ve divided them up for detail, so don’t try finding your way out of them.


Arctic Woolf

Self-initiated project- a book jacket design for Orlando by Virginia Woolf (1928).

Inspiration for the illustration was from a passage in which our hero is romantically smitten while skating on the Thames at the 1608 ‘Frost Fair’.

(Click on the image for a nice big view).

Development stages of the main character illustration.
Various stages in the development of the London Bridge background illustration. On the far right of the final version you can just see the heads on spikes at Traitor’s Gate.

Escher and Esther

I loved this 1944 photo of the awesome Esther Williams, and had a mind to adapt it for a pretty picture, so I doodled away at it in spare moments.

Struggling a bit to get some life into her face, and thinking I needed some big extra element to turn it into a picture worth the name, I left it sitting in my half-finished ideas file, along with all the others, for a few months.

This week, whiling away a little of the coronavirus lockdown scrolling through Pinterest, I found a mid C20th pulp sci-fi cover depicting a man trapped inside an ‘Escher Cube’ optical illusion, which struck me as being the possible extra element my Esther picture needed.

And the one letter difference between Esther and Escher made the idea seem providential.

Alas, being Pinterest, it auto-reloaded when I accidentally scrolled a pixel down, and try as I might, I haven’t been able to find the image since. This was annoying partly because it would have been handy to learn from how that artist dealt with the problems depicting an impossibility, or at least compare them with how I did, but also to pay them some credit for the concept here.

And there were problems.

When I shift Esther a centimetre one way to make one part of her interact properly with the cube, immediately another part of her interacts wrongly.
Also, for the optical illusion to work, the cube needs to be near symmetrical, which meant perspective was redundant, and so I couldn’t shift any vertices either.

In the end though, of all the poses or images I could have tried to marry up with the cube, I suspect this one, with its akimbo limbs and crossed-over symmetry, was one of the more workable ones and that, if anything, I actually got quite lucky.

I had a fresh go at drawing Esther, both so her body better fit the cube and also to try a more stylised face, which felt much more engaging. Some fish, bubbles, textures (including the pronounced grain of a wooden door serving as ripples of water) and a circular fame to finish it off.


Jodie Whittaker as the Thirteenth Doctor Who, battling a fleet of Dalek spaceships and flying Skarosian bubbling lumps of hate in their travelling machines. As she does.

(Click on it for a better view!)

Still Game

Inspired by/competing with the drawing of a golden eagle a mate of mine did at our tiny village primary school in Wiltshire, the first thing I remember ever trying to do a “proper drawing” of was the glamorously exotic and handsome, but ultimately utterly idiotic Common Pheasant (Oddly enough, years later both of us ended up, via separate routes, supplying endless illustrations of bird life for the RSPB children’s magazine).

My Mum might still have that pheasant picture somewhere.
I remember it looking better than this one, which I did more recently. But y’know, the memory cheats.

Deep Southwick

My lovely home town Southwick- a hidden green gem tucked behind the railway line and industrial estates of the Shoreham Port north banks. Found by data scientists in 2017 to be one of the “most normal” towns in England (!), its shops and picturesque power station provided the backdrop for  Massive Attack and Ghostpoet’s ‘Come Near Me’ video,  and the town was a regular location for BBC’s not-much-missed Sussex cop show –Cuffs (featuring heavily in the linked clip).

It’s also home to punk poet Attila The Stockbroker, and represented at Adur Council by Dave Balfe– former Teardop Explode, and the “successful fella” inspiration for Blur’s Oasis-conquering No 1 ‘Country House’.

The real No 1 star of Southwick though has to be the glorious cricket green where Southwick CC– “The Wickers”- have played since 1790, making it one of the oldest clubs and grounds in the country. It’s a bit small for adult games, surrounded by cars and houses with breakable windows, so its first team days may be numbered for all but the thriving colt teams.

But for now the timeless action continues, and will always be there to see in this beautiful and affordable art print!

(Click on the image for a better view)


Wears Wally

These were fun, if intense. Search and Find spreads (for © Egmont Publishing)- you know the drill. There are a few celebs to spot and some ribtickling slapstick moments. My first job with my lovely new agents Astound us.



WTL--Skate-Park-2000px WTL-Football-cropped-2000px WTL-Pet-Show-2000px

Get what you gif

I’ve been enjoying making some animated gifs (or zhifs as I’ve discovered the French pronounce them). It’s always a thrill when, after tinkering away for hours in timelines and layers, you hit Play and your still pictures suddenly live and move.

Here’s one- Spring…

In action!



Mercy Brienne

Done as a Birthday card for one of the family’s warrior women- Attack of Brighton’s own 50 Foot Woman- Gwen Christie, as Brienne of Tarth.

But you knew that.